Celluloid to Cyberspace
Summary: Current knowledge of the operation of the arts world and
its underlying dynamics is limited, especially with regard to the media
arts—art that is produced using or combining film, video, and
computers. The authors examine the organizational features of the media
arts, placing them in the context of the broader arts environment and
identifying the major challenges they face. They take a structural
point of view, discussing audiences, media artists and arts
organizations, as a group, as well as funding for the media arts.
